Stratocaster vs Les Paul — two iconic guitars with distinct tones. Compare pickup configurations, neck profiles, and sustain characteristics to see which fits your style best, and how players adapt each to genres.

    I grew up on a Strat, but picked up a Les Paul in college. Suddenly everything felt thicker and more sustained. That neck profile changes your whole approach.

    Tube Amps vs Solid State: Which Still Rules the Stage? A debate that keeps the guitar world lit. This post dives into why the choice matters to tone, feel, and stage presence. I want real stories, measured takes, recordings vs stage experience, and tradeoffs between practicality and myth. Drop links to clips, amps, and pedalchains. No marketing fluff: personal tone wins. Tell us how your fingers, not your gear, cha

    I’ve gigged with a Fender Twin Reverb and a Line 6 Helix on the same night. Tube warmth wins in a quiet club, but solid state holds up better in a festival setting. Context matters!

    Guitars used to mean something. They were a middle finger to the world. Six strings screaming rebellion, pain, and truth. Hendrix set his on fire. Cobain smashed his to splinters. It was raw, ugly, alive. Now? You’re all just influencers with calluses, polishing your Strats for Instagram likes and TikTok loops. You don’t play guitar to say something. You play it to sell something. Your “brand,” your “vibe,” your sad little bedroom aesthetic. You’re not artists, you’re content creators with $5000 pedalboards you don’t even know how to use. The algorithm’s your god now, and it’s turned your “rebellion” into a 15-second clip with a lo-fi filter. The 60s and 90s weren’t perfect, but at least they had soul. Now? You’re too busy color-matching your amp to your wall art to notice your music sounds like a Spotify ad. You’re not dangerous. You’re not even interesting. You’re just another cog in the content machine, chasing clout while the guitar’s corpse rots in your hands. And don’t give me that “Gen Z is saving guitar” crap. Those kids are just aping your nostalgia, recycling riffs from bands you jerk off to on vinyl. The guitar isn’t dead—it’s worse. It’s a zombie, shambling through your curated feeds, and you’re too busy posing to notice the stench.

    You can’t deny there’s a difference between burning your guitar on stage and color-grading your practice video.

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    SatinDon

    3m ago

    I put two guitars through the same amp settings and couldn’t tell which was mahogany and which was alder. Can we stop pretending it makes a difference on electrics?

    All the sweat getting in the body, NUNO style

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    Sixten

    3m ago

    No amount of contouring makes up for the weird balance and horn digging into your ribs. I said what I said. Sorry Hendrix fans

    just buy an ibanez

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    Mudkicker

    2m ago

    I’ve been playing daily for years, but for the past month, I’ve just been stuck. Same licks, same routines, no excitement. Even new gear didn’t help.

    Have you tried jamming with other people? Playing alone gets stale fast, even with backing tracks. A live human throwing weird chords at you forces your brain to adapt in real time. GET OUT YO HOUSE

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    ApuSpaddu

    2m ago

    I’ve been playing for over a decade now, gigged small venues, recorded a few EPs, taught students, nothing too fancy but not a complete beginner either. I wanted to love tube amps. I bought into the hype early. Owned a Vox AC15, a Fender Hot Rod Deluxe, even flirted with a Mesa for a while lol. But after years of use i feel like: They’re insanely expensive compared to what solid-state or modeling offers now. Tubes wear out. Biasing, microphonics, noise. It’s like owning a vintage car. You can’t push them to the sweet spot at home without annoying the neighbors. And they’re heavy as hell. Like actually miserable to move to a gig. Meanwhile, modelers and modern solid-state amps sound damn close, cost half as much (or less), and give me consistency and volume control. At this point, it feels like tube amps are more about identity than practicality. I know tone is subjective, and that’s fine, but am I crazy for thinking tube amps just aren’t worth the hassle anymore unless you’re a collector or purist?

    Fuck yeah theyre worth it, you can play WAY louder without the sound getting all fucked up!

    Everyone talks about scales and solos and speed, but no one ever talks about tight rhythm work. I feel like i’m a bit sloppy with palm mutes, timing, dynamics, but I don’t even know how to practice it effectively. Do you just jam to songs? Use a metronome? Any exercises or habits that helped you level up?

    I record myself constantly, even 30-second riffs. Listening back with headphones exposes all the lazy muting and inconsistent picking I didn't hear while playing.

    Osaaks joku joka on suorittanu kyseisen kortin sanoo et kui hankala oli suorittaa. Ittee snadist jännittää kato et miten menee ajokoe, entä kui hankala teoria koe oli. Pärjääkö jos on vitun stydi mieli ja osaa ajaa fillaril vai onks se oikeest hankala. Myös paljon tulis oikeest maksaa jne muit juttui.

    Älä vaa oo ihan vitun vajaa nii kyl pääset läpi suht helpost

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    Immortal

    2m ago

    https://ppc.land/microsoft-gets-eu-hall-pass-despite-admitting-it-cant-protect-european-data

    FUCK MICROSOFT